Rabu, 28 Maret 2012

[E383.Ebook] Free PDF Berklee Practice Method: Bass - Get Your Band Together, by Rich Appleman, John Repucci

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Berklee Practice Method: Bass - Get Your Band Together, by Rich Appleman, John Repucci

(Berklee Methods). Make your band better, or prepare yourself to join one! This sensational series lets you improve your intuitive sense of timing and improvisation, develop your technique and reading ability, and master your role in the groove. Play along with a Berklee faculty band on the accompanying CD, then play with your own band!

  • Sales Rank: #696408 in Books
  • Brand: Hal Leonard
  • Model: 50449427
  • Published on: 2001-01-01
  • Released on: 2001-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .46" w x 9.00" l, 1.35 pounds
  • Binding: Paperback
  • 176 pages
Features
  • 176 Pages
  • Author: John Repucci
  • Author: Rich Appleman
  • Softcover with CD - TAB
  • Dimensions -12 x 9

From the Publisher
The first-ever method that teaches you how to play in a rock band. Improve your improvisation, timing, technique, and reading ability, and master your role in the groove. Become the great bass player that everyone wants to have in their band.

Lessons throughout this book guide you through playing basic grooves, walking bass lines, and other standard bass techniques. Daily practice routines are designed for practicing by yourself or with other musicians. The accompanying CD features outstanding Berklee players and covers a variety of styles including rock, funk, jazz, blues, swing, and bossa nova.

Topics include:
- learning by ear
- theory and technique
- rhythmic interpretation
- improvisation
- comping
- reading
- song form
- interpreting lead sheets

This series coordinates methods for many different instruments, and all are based on the same tunes, in the same keys. If you know a guitarist, drummer, keyboardist, vocalist, horn player, etc., have them pick up the Berklee Practice Method for their own instrument, and jam together!

Most helpful customer reviews

6 of 6 people found the following review helpful.
Great book, but needs a teacher
By Clinton Neville
This book/cd combo has really been great. I ordered it for a student of mine about a month ago and we've been working through it. It has really motivated him to start concentrating on reading notes and rhythms instead of just looking up tabs.

I wouldn't recommend it for an absolute beginner, and even for some lower level intermediates it might be a stretch to try without a teacher, but overall this book has been great at keeping our lessons structured and progressive and the CD has really enhanced my student's practice time a lot.

3 of 3 people found the following review helpful.
Superb Instructional
By Grinky
You'll love this book if you're looking to diversify your bass playing, i.e. You want to play Bossa Nova but don't know where to start. It'll give you a kick start and a preview into the major genres of music that bass playing is relevant to - Rock, Blues, Blues Swing, Funk, Light Funk, Hard Rock, Bossa Nova, Stop Time. You'll have to be patient though. This is a textbook and workbook together so expect to do a lot of hands on practice (and dirtying your book with pencil/pen marks). Great for the beginner to intermediate player.

5 of 7 people found the following review helpful.
Great Book!
By J. Vega
I picked this book up about a year and a half ago. I am a guitar player, but I wanted to learn the basics of the bass. Since I play different sytles, this book really fit the bill. I really got the jist of the syles covered in a hurry. The tunes are fun to play as well.

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Minggu, 18 Maret 2012

[R188.Ebook] PDF Download Loving a Lost Lord (Lost Lords), by Mary Jo Putney

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Loving a Lost Lord (Lost Lords), by Mary Jo Putney

Battered by the sea, Adam remembers nothing of his past, his ducal rank, nor of the shipwreck that almost claimed his life. However, he s delighted to hear that the golden-haired vision tending his wounds is his wife. Mariah s name and face may not be familiar, but her touch, her warmth, feel deliciously right

When Mariah Clarke prayed for a way to deter a bullying suitor, she didn t imagine she d find the answer washed ashore on a desolate beach. Convincing Adam that he is her husband is surprisingly easy. Resisting the temptation to act his wife, in every way, will prove anything but. And now a passion begun in fantasy has become dangerously real and completely irresistible "

  • Sales Rank: #7544785 in Books
  • Published on: 2009-07-01
  • Formats: Audiobook, CD
  • Original language: English
  • Number of items: 9
  • Running time: 39600 seconds
  • Binding: Audio CD

About the Author
A New York Times, Wall Street Journal, and Publishers Weekly bestselling author, Mary Jo Putney is a graduate of Syracuse University with degrees in eighteenth-century literature and industrial design. She has won numerous awards for her writing, including two Romance Writers of America RITA awards and four consecutive Golden Leaf awards for Best Historical Romance. The author of twenty-six novels, Ms. Putney lives near Baltimore, Maryland.

Kate Rawson studied acting at Webber Douglas Academy of Dramatic Art, London. She has performed in theater productions all over the world, including Hermia in "A Midsummer Night s Dream" and Kate in "Nicholas Nickleby". Her television credits include "Casualty" and "Holby City", both for the BBC. Her radio credits include "The Wills Girls" for BBC Radio 4 and "Mum s the Word" for BBC Radio Cornwall.

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Kamis, 15 Maret 2012

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Basic Nursing: Concepts, Skills & Reasoning by Treas PhD RN CPNP-PC NNP-BC, L...

  • Sales Rank: #4129082 in Books
  • Published on: 2013
  • Number of items: 2
  • Binding: Hardcover

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Rabu, 14 Maret 2012

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Arsene Lupin II Maurice Leblanc (1864-1941) was the creator of the character of gentleman thief Arsene Lupin who, in Francophone countries, has enjoyed a popularity as long-lasting and considerable as Sherlock Holmes in the English-speaking world. There are twenty volumes in the Arsene Lupin series written by Leblanc. Arsene Lupin - gentleman, thief, elegance, romances, humour, adventures and of course - crimes.

  • Published on: 2009-07-24
  • Binding: Hardcover
  • 204 pages

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Selasa, 13 Maret 2012

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R. S. SHALLENBERGER Cornell University, New York State Agricultural Research Station, New York, USA Among the material to be discussed in this first section of the 'Enzymes and Food Processing Symposium' is subject matter that can be viewed as a marriage between enzyme technology and sugar stereochemistry. In order to bring the significance of the material to be presented into proper perspective, I would like you to pretend, for a moment, that you are a researcher making a proposal on this subject to a Research Granting Agency in order to obtain financial support for your ideas. However, the year is 1880. Under the 'objectives' section of your proposal, you state that you intend to attach the intangible vital force or spirit-that is, the catalyst unique to the chemistry of living organisms-to an inert substrate such as sand. Thereafter you will pass a solution of right­ handed glucose (also known as starch sugar) past the 'vital force' and in the process convert it to left-handed glucose (also known as fruit sugar). The peer review committee would probably reject the proposal as sheer nonsense because the statements made were not only contrary to their experience, but also contrary to what they had been taught. Perhaps a few select people would have some feeling for what you were talking about, but commiseration would be the only form of support that they could offer.

  • Published on: 1981-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .71" w x 5.98" l, .92 pounds
  • Binding: Paperback
  • 296 pages

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Arabic: A Linguistic Introduction

Arabic: A Linguistic Introduction



Arabic: A Linguistic Introduction

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Arabic: A Linguistic Introduction

  • Published on: 1707
  • Binding: Paperback

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[L355.Ebook] Download PDF Texts and Contexts: Writing About Literature with Critical Theory (7th Edition), by Steven J Lynn

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Texts and Contexts: Writing About Literature with Critical Theory (7th Edition), by Steven J Lynn

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For courses in literary criticism or literary analysis.


Theories and strategies for writing about literature

By considering how adept readers behave and what assumptions they might make while interacting with literary text, Texts and Contexts: Writing About Literature with Critical Theory teaches students the challenging art of writing about literature. The Seventh Edition provides overviews of literature and how to write about it, as well as critical and literary theory with examples throughout. Students will learn versatile strategies in reading, writing, interpreting data, and constructing arguments that can be applied to virtually any field.  


Also available with MyLiteratureLab

MyLiteratureLab is an online resource that works with our literature anthologies to provide engaging experiences to instructors and students.

 

Students can access new content that fosters an understanding of literary elements, which provides a foundation for stimulating class discussions. This simple and powerful tool offers state-of-the-art audio and video resources along with practical tools and flexible assessment. 


Note: You are purchasing a standalone product; MyLiteratureLab does not come packaged with this content. Students, if interested in purchasing this title with MyLiteratureLab, ask your instructor for the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information.


If you would like to purchase both the physical text and My##Lab, search for:

0134272455 / 9780134272450 Texts and Contexts: Writing About Literature with Critical Theory Plus MyLiteratureLab — Access Card Package

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  • 032194562X / 9780321945624  Texts and Contexts: Writing About Literature with Critical Theory


  • Sales Rank: #663741 in Books
  • Published on: 2016-01-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .90" w x 5.40" l, .0 pounds
  • Binding: Paperback
  • 288 pages

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Sabtu, 03 Maret 2012

[Y625.Ebook] Ebook Ceramics, by Philip Rawson

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"It is rare to find a book on art that presents complex aesthetic principles in clear readable form. Ceramics, by Philip Rawson, is such a book. I discovered it ten years ago, and today my well-worn copy has scarcely a page on which some statement is not underlined and starred."—Wayne Higby, from the Foreword

  • Sales Rank: #812073 in Books
  • Published on: 1984-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .55" w x 5.51" l, 1.20 pounds
  • Binding: Paperback
  • 240 pages

Review

"A moving book based on the knowledge of facts together with their overtones and resonances. . . . Its method is valid for an appreciation of art in all its branches."—Stella Kramrisch



"With the unassuming title of Ceramics, Rawson has presented a very clear, orderly and thought-provoking guide for discussion. He provides words for those nebulous, or nonexistent, thoughts that students avoid talking about in critiques, and our professional associates talk all around, using whatever art language is being worn out at the time—'Is your work postmodernist yet?' Now we have no excuse to complain that there is no vocabulary. . . .



"There is enough material in this little 223 page book to last a long time as a stimulus for thought and work in clay. It would be an excellent gift to your local newspaper art critic and a great reference book for teachers. . . .



"Rawson defines a clear framework for discussing both the visual and psychological elements of the pottery tradition. The book presents a way to analyze and understand which particular elements touch or SPEAK to us across cultures and history. And there are enough pictures and diagrams to help out the less verbal."—National Council on Education for the Ceramic Arts Newsletter

About the Author
By Philip Rawson. Foreword by Wayne Higby

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12 of 12 people found the following review helpful.
Understanding Ceramics with Philip Rawson
By Carol Rose
This book is not a glossy full-color presentation of the world's spectacular ceramic pieces. It does contain a hundred or so black and white illustrations of ceramics from almost all cultures; ancient and modern. Philip Rawson writes about the general concept of ceramics, the techniques, and the philosophy and symbolism. I found this book to be very helpful in that it gives an overview of all types of ceramics and allows the interested potter or sculptor to survey Rawson's intriguing perceptions. This book promotes ideas and facilitates their coming to the reader through discussions of his seemingly infinite observations. Rawson was a brilliant art professor and brings amazing viewpoints to his readers. Ideas, after all, are the most important factor in creating works of art.

0 of 1 people found the following review helpful.
good reat
By ahmad m sabha
this book is a good read. not easy to read, but its a good read, lots of vocabularies and sentence structures. you have to be awake to understand it, and that’s not in the first round.. good luck.

31 of 31 people found the following review helpful.
You Will Want To Own This Book
By S. Rossiter
Every potter and vessel maker, every student and teacher of ceramics, every person interested in ceramics should read CERAMICS by Philip Rawson. In fact, you will want to own a copy of this book so you can re-read it and loan it to other people. (I received no compensation for that statement.) CERAMICS is an exceptional source for expanding your knowledge of and vocabulary for critically viewing, appreciating, discussing, and writing about ceramics.
In CERAMICS, Philip Rawson, a prolific writer and art critic, gives a fascinating and lucid examination of the evolution and aesthetics of ceramic form. He states, "One of the prime reasons why ceramics is such an interesting art is that it fills the gap which now yawns between art and life as most people understand their relationship."(6) Rawson then introduces ideas critical to looking at and fully understanding ceramics such as the relationship of function to the origins of most ceramic forms and how that relationship affects our experience of ceramic objects. He also addresses the inherent attraction of a recognizable material transformed by the human hand into a new object with symbolic or metaphorical value.
Following a comprehensive but concise overview of the techniques and processes involved in making ceramics, Rawson gives an in-depth discussion of how form, surface and design, combined with the ideas of transformation and forms' residual relationships to function, create meaning in pottery. Well-chosen photographs, illustrations, and vessel profiles accompany the text.

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