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Playing Shakespeare (Performance Books), by John Barton
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John Barton is Advisory Director at the Royal Shakespeare Company and has directed some of the greatest Shakespeare productions of our time. His book, Playing Shakespeare, is a transcript of his televised workshops with some of our finest Shakespearean actors: Peggy Ashcroft, Judi Dench, Ian McKellen, Ben Kingsley, Patrick Stewart and David Suchet.
This new edition contains a DVD with 80 minutes of video featuring John Barton in conversation with Judi Dench, Ian McKellen, Patrick Stewart and Jane Lapotaire discussing changes in approaches to Shakespeare's text since the book first published. This edition also features a foreword by Michael Boyd.
This is a highly readable approach to understanding Shakespeare's text and unlocking the hidden stage directions and actors clues that reside in his verse. As Barton explains, "when an actor becomes aware of them they will find Shakespeare himself starts to direct them."
- Sales Rank: #1763855 in Books
- Brand: Brand: Bloomsbury Methuen Drama
- Published on: 2011-03-15
- Released on: 2011-03-15
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x .70" w x 6.10" l, .75 pounds
- Binding: Paperback
- 212 pages
- Used Book in Good Condition
From Publishers Weekly
With the help of Judi Dench, Ben Kingsley, Ian McKellen and other actors, associate director of London's Royal Shakespeare Company John Barton presents Playing Shakespeare: An Actor's Guide. With over 50 of the Bard's plays and numerous U.K. and U.S. theater workshops under his directorial belt, the eminently qualified Barton provides a record of nine Royal Shakespeare Company workshops conducted on television in 1984 with the actors listed above. "Acting is built upon specifics," he writes, and proceeds to give specific advice to modern actors on performing these old but not antiquated texts. This thoughtful guide will be embraced by actors and directors alike. ( Aug. 28)
Copyright 2001 Reed Business Information, Inc.
From Library Journal
Walking the boards in a play by the Bard can be one of the most rewarding and frightening experiences of an actor's life. Drawing on 35 years' experience as associate director of the Royal Shakespeare Company (RSC), Barton here offers advice on tackling Shakespeare as a performer. Along with assistance from fellow RSC players, including Ian McKellan, Judi Dench, Ben Kingsley, and Patrick Stewart, Barton offers tips on replicating the often tongue-twisting prose, exploring the characters, understanding the language, handling speeches and soliloquies, and more. A welcome handbook for any theater collection both public and academic.
Copyright 2001 Reed Business Information, Inc.
Review
“What the programs and published text reveal, is the method and principle approach of acting Shakespeare which has been fundamental to the Royal Shakespeare Company since it was formed.Generations of actors joining the RSC have benefited from John Barton's teaching.” ―Trevor Nunn
“One of the sanest, wisest and most practical volumes I have ever read about Shakespeare.” ―Michael Billington
Most helpful customer reviews
22 of 23 people found the following review helpful.
A Wonderful Introduction For Actors and Non-Actors Alike
By Carolyn L. Zaremba
John Bardon, with the assistance of the players from the Royal Shakespeare Company, presents with great zest and humor not merely the mechanics of speaking the verse of Shakespeare, but the sense of the Style of Shakespeare and the Elizabethan Age. The actors demonstrate all of the means by which they have discovered the characters they portray and make their own, and their great fortune in the legacy of the RSC. They have absorbed with passion and insight the very beings of another time. I wish, when I was a young actor, that I had had John Bardon as a teacher of verse drama. It took me years to find anyone who could teach me the basic, uncomplicated approach to verse I found in this book. May I just add, I also saw the London Weekend Television production on which the book is based and it was magical. The book reinforces my memory of the living actors, most of whom are favorites of mine who I have seen in all types of productions. However, it is not necessary to have seen that program to appreciate and learn from the book. Highly, highly recommended.
9 of 9 people found the following review helpful.
One of the must-have books for any serious stage actor.
By A Customer
I first read Playing Shakespeare when I was still in high school, and have reread it at least three or four times since then. A definite must-read for any serious stage performer. An eye-opener for anyone struggling with a Shakespearean role or character. Very literary, but easy to get into and understand. You have to read it for yourself! Definitely worth the price.
9 of 10 people found the following review helpful.
Useful as a companion to the TV series, NOT useful as a book alone
By Maggie Olson
It's a cardinal sin among book lovers to say "the movie was better," but in this case it's undeniably true. The series "Playing Shakespeare" was magical. To see members of the Royal Shakespeare Company discussing, analyzing, and performing Shakespeare is an eye-opening experience, but there is no way to relate what it's like to experience that type of performance in a book. It was frustrating reading the text the actors performed, genius John Barton's reactions and feedback to the performances, ask them to perform it again, only to see the phrase, "They take the text again."
I feel this book is beneficial as a COMPANION to the video series. It contains a lot of valuable information about performing Shakespeare and it comes in handy as a reference if you've already seen the video series.
The book alone leaves you asking more questions than are answered. After the book says a performer reads a monologue and John Barton says something like, "You can year once again the strong rhythm of the prose..." your find yourself with a distinct feeling of having missed something very special. It does provide important instructions, and Chapter 10 "Exploring a Character: Playing Shylock" is very moving. At the beginning of that chapter, John Barton includes a note that says, "This is the pogram wich probably suffers most from being merely set in print. On television the heart of it lay in the extraordinary contrast between the two Shylocks. I much regret that the printed word cannot capture that, but I have still thought the following text worth including here because of the discussions of the character."
The majority of the book "suffers from being merely set in print," but the information included is worthwhile.
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